Finding a Good Title for Your Book

Here are some excerpts from an article by Jacob M. Appel, which was in this weeks e-newsletter from Writer’s Digest:

The trick to a great title is to find a happy balance between the all-too-forgettable and the truly over-the-top. You want to choose something that makes your readers think: What a fantastic title! Why didn’t I come up with it? Here’s how to do just that.

GOOGLE IT. The easiest way to ensure you have an original title is to type the phrase into an Internet search engine, or even Some great titles will produce matches, of course—but if you are the first person to coin the phrase you’ve chosen, then you know you’ve hit the originality jackpot. (While titles are not copyrightable, and in theory you could name your novel Gone With the Wind, doing so is unlikely to help your career.)

MAXIMIZE YOUR CHOICES. I tell my students to approach naming a story as they do seeking a mate: While some people meet their perfect partners during their teenage years and live happily ever after, the vast majority of us have to date lots of people before we find what we’re looking for. The same holds true for titles. I suggest making a list of at least five different titles before deciding upon one. There’s also much to be said for asking friends and family which title they prefer.

DON’T FORGET VOICE AND POINT OF VIEW. Every fiction writer knows that strong prose requires a distinctive voice and a consistent point of view. Far too many writers forget that a title should do the same. If you’re narrating a story in the third person, don’t call it “My Summer Vacation.” On the other hand, if your story is told from an unusual vantage point, you can use the title to announce this fact to the reader. Robert Olen Butler, for example, uses his title for exactly this purpose in the modern classic “Jealous Husband Returns in Form of Parrot.”

INCLUDE PRECISE NOUNS AND ACTIVE VERBS. Computer programmers have tried for years to create the perfect algorithm for naming a book—for example, claiming that three-word titles sell best, or insisting that the most marketable titles contain verbs. If this approach actually worked, of course, these programmers would be publishing moguls. A simpler technique is to select precise nouns and strong, active verbs. Eugene O’Neill’s Desire Under the Elms is far more compelling than Love Under the Trees would have been.

CRAFT TWO MEANINGS. Most readers consider your title twice—once before they start reading your work, and again after they have finished. Many successful titles gain hidden layers of meaning as they’re read, so they pack an extra punch when reflected upon for the second time. Noteworthy examples include Shirley Jackson’s “The Lottery” and John Cheever’s “The Swimmer.”

AVOID SABOTAGING YOUR PLOT WITH YOUR TITLE. If you’re writing a mystery novel or a suspense thriller, make sure you don’t give away the ending on the cover. Also, refrain from using either the first or last lines of your story as your title, as such “double duty” takes away the surprise of the opening hook or the dramatic conclusion.  

MAKE CERTAIN YOUR TITLE MATCHES YOUR STORY. This is the most important rule of titling, probably the only one no writer can afford to break. Often we start off with a promising title in mind for our work—and assume, once we have finished writing, that this title still fits. Unfortunately, the human imagination does not always conform to our expectations, so it’s essential to ask yourself, once your manuscript is complete, whether the original title still matches the story you’ve told.

Titling may seem stressful, but the process should actually be enjoyable. After all, any writer who has completed a story or novel realizes that a title serves one more purpose that primarily benefits the author: Typing a solid title onto your manuscript is a way of patting yourself on the back and taking pride in a job well done.


9 Comments (+add yours?)

  1. darksculptures
    Nov 18, 2009 @ 20:21:43

    Oh Yes! I love The Bended Tree too! I was in such a rush this morning I only half thought about my response. :c( Sorry!


  2. dayner
    Nov 18, 2009 @ 11:22:38

    BTW, this is a great post. Thank you!


  3. dayner
    Nov 18, 2009 @ 11:20:03

    I love your titles, DS. I also love the title ‘The Bended Tree’ and I the photo on your NaNo page, Kathan, is excellent. I hope you use it as your cover art.

    I still think my titles fit. The only one in question is Anew Embrace. The story has two plot lines and one plot seems to be more prevalent then the other, that makes it hard to title.


    • darksculptures
      Nov 18, 2009 @ 20:23:06

      I wouldn’t question Anew Embrace at all. The title says it all and I think it is an excellent choice.

      Thanks for the feedback also! :c)


    • kathanink
      Nov 19, 2009 @ 16:24:43

      Thanks! The way I see it is, the title kinda inspires me and it makes sense in the story…sort of a theme. If I were to ever get it published, I’d probably be OK with changing it. Though, I like his idea of coming up with 5 titles, so you’re not ‘married’ to any of them.


  4. darksculptures
    Nov 18, 2009 @ 08:15:47

    This is an interesting read. I never put that much thought into my titles other than to make sure they are indirectly or directly related to the story. From now on I will consider my choices a little more carefully.

    Out of curiousity what does everyone think of my Title’s The Eighth Hour and Caveman’s Mosaic?


    • kathanink
      Nov 19, 2009 @ 16:23:29

      I like both title’s. The Eight Hour has an easy ring to it, and Caveman’s Mosaic makes me really wonder what it’s about.


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